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The series isn't as popular as it was a few years ago, so chances of another run (possibly with a different studio) are slim. Sadly, this is probably the end for Tokyo Ghoul anime adaptations. Even the promotional art (posters and such) looked like they were whipped together lazily. Overall, the finished product boasted a profound lack of industry-standard effort in all areas. Shuhei Morita, director of the best Tokyo Ghoul episodes out there (Episode 1 and 12 of the original, and Episode 12 of Root A) could have possibly salvaged an episode or two, but he too was busy with other work. Animators, character designers and directors from the original series were busy elsewhere, which explains how different the anime looked to compared to its predecessors. Tokyo Ghoul :re's staff also left a lot to be desired. RELATED: Bleach's Anime Return Can Fix The Final Arc's Problems In the end, T okyo Ghoul :re was discharged to Pierrot+, a smaller studio that struggled with the workload. Tokyo Ghoul is a real cash cow, so Perriot didn't want to forfeit their rights to the franchise. Something similar happened when Studio Madhouse was too busy to continue One-Punch Man, so it gave its second season off to another studio. It's unfortunate that Perriot would neglect Tokyo Ghoul (which was arguably its largest active franchise). That's what happened to Studio Perriot when Tokyo Ghoul :re was in production, already busy with Boruto, Black Clover and other popular shows. It's common for anime studios to be overworked and understaffed. The same can be said about the openings: Asphyxia by experimental rock band Cö shu Nie, and Katharsis by fan-favorite TK (vocalist of Tokyo Ghoul's first opening). Still, it's a nice soundtrack to listen to outside of the anime. Unfortunately, his soundtrack isn't utilized as well as it could have been, and viewers will hear the battle theme "Symphonie" and various arrangements of the iconic "Licht und Schatten" enough to bore them even of these great tracks. The soundtrack may be Tokyo Ghoul :re's saving grace, as Tokyo Ghoul composer Yutaka Yamada returns to give the anime's stale frames a little buoyancy. RELATED: Tokyo Ghoul :re Fans Have a Dark Theory About the Manga's Ending Couple that with some disastrous direction (poor shot composition, scene transition, etc.), and the adaptation fails in almost every regard. Without exaggerating, the anime legitimately resembles a slideshow at points, and even faithfully adapted moments fall short aesthetically. With poor animation, a lack of detail and simplistic character designs, the anime rivals the CG Berserk in terms of offensive visuals. There were some beautiful scenes, well-directed shots and even a few anime-only moments that earn their place in the series. Tokyo Ghoul: Root A may have butchered its source material, but it provided some quality Tokyo Ghoul moments that, when viewed in a vacuum, weren't too bad.
Tokyo Ghoul :re's manga had a rushed conclusion even without the adaptation, so mangling it further was not a popular decision.Īnime is a visual medium, so the way it looks matters. Of course, faithfully covering so many chapters in so little time was an impossible task. Similar to Tokyo Ghoul: Root A, fans were offended that Studio Perriot would treat its source material so poorly. It was so convoluted that manga-reading YouTubers uploaded videos explaining the plot to clueless viewers. Following this problematic beginning, Tokyo Ghoul :re advanced with jarring ommissions, terrible pacing and disappointing anime-only moments. Right off the bat, close to an entire arc was cut as the anime lunged straight into the Third Cochlea Raid and Rushima Landing Operation. With the second season, though, Tokyo Ghoul :re fell apart. The season ended on the Tsukiyama Family Extermination Arc, and while it's all a bit messy, it didn't go off the rails. Most agree, however, that the anime wasn't anything disastrous (so far). In the first 12 episodes, Tokyo Ghoul :re scrapped some important character moments, made some unexpected changes and moved at a very fast pace. This was especially foreboding, as there would have to be ommissions. Piling on the problems, it looked as though there would only be 24 episodes to adapt 179 chapters of densely plotted material. However, it left a large portion of the fanbase hopelessly confused from the get-go. For Tokyo Ghoul :re, Studio Perriot chose to scrap Root A and return to the manga's plot if nothing ever happened, which wasn't a bad decision.
However, anime-only viewers had no idea about the different endings. Manga readers disliked how Root A deviated from the manga, condensing the source material and providing an anime-only ending. The last Tokyo Ghoul adaptation was Tokyo Ghoul Root A, aired in early 2015. From the beginning, Studio Perriot was operating on uneven ground.
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